.... dark, even perhaps death can be seen. It is intrusting to note the parallel and symbolism between the clay pot and the valley Elisa. It is almost as if Elisa was to leave the valley, like the Chrysanthemums, she would be dumped out on the "road of life" The chrysanthemums are the most powerful symbol in the story. Not only do the flowers represent motherhood for Elisa, they also represent her womanhood. Elisa isn't described as being a very feminine woman. Steinbeck instead uses the word "strong" to describe her. All of her surroundings such as the house and the valley are a .....

.... beguiled by her dry witticisms and her apparent simple sunniness: "Time for this good girl to go to bed," she says. When Daisy begins her matchmaking of Nick and Jordan, we sense that she is only leading where Nick's interest is already taking him. It is Jordan, then, who makes Nick feel comfortable at Gatsby's party, as we sense what Nick senses: they're becoming a romantic couple. As they drive home a summer house-party, Nick notes her dishonesty but forgives it, attributing it to her understandable need to get by in a man's world. She praises his lack of carelessness, t .....

.... and that "she took after him" (p.10). The first sigh of Hagar's excessive pride was shown when her father scolded her for telling a customer that there were bugs in the barrel of raisins. She refused to cry before and after the punishment: "I wouldn't let him see me cry, I was so enraged" (p.9). She continued to build a wall around herself to hide her emotions. Her pride interfered with many relationships in her life. When her brother Dan was dying, her other brother Matt asked her to put on her mother's shawl and pretend to be her to comfort Dan. Hagar refused: '...howe .....

.... on between d'Artagnan, Porthos, Athos and Aramis, this is shown throughout the book. It all started when d'Artagnan was pursuing the man from Meung and ran in to Athos, who was freshly wounded in a small skirmish with the Cardinal's Guards. D'Artagnan asked Athos to pardon him and let him be on his way but Athos being the brave and gallant musketeer, demanded a better aplogy, d'Artagnan was very insulted by this so he challenged Athos to a duel at twelve o'clock. The d'Artagnan ran towards the door, in the process of exiting, he ran into Porthos who was just entering the door, .....

.... personal interpretation as to the extremity of his own sins is a "violation of God's law," which is the law that he is totally dedicated to and supported by. Dimmesdale's interpretation of his sin is much more severe than Hester's, it is a breach and direct contradiction of his own self consciousness and physical existence. Therefore the appearance of his A, even though it is never directly described in the novel, must be raw, jagged, and brutally crooked (...a ghastly rapture; pg.95). Maybe Dimmesdale's self torture is so horrifying or inconceivable that it is either indes .....

.... other thing in his life. As Buck started to learn, he began to lose that aura of house pet. He started to behave like a wolf. An untamed beast from the wild. His long- time lost instincts given to him by his ancestors from generations ago started to come to him. In the end of the story, Buck is leading a pack of wolves through the forest and stops at the top of a cliff and howls,along with his other companions, to a silvery full moon. I think that the point of this story, is that you learn from life and you can never forget or change who you really are deep inside. Buck, .....

.... 197, Buranelli, 62) Another of Poe's writing techniques is anima. Anima is giving a character qualities of having an animal spirit. Madeline Usher is the anima figure in the story Poe's use of symbolism in his gothic stories is a guiding thread to his literary art. That he is not persistently a symbolist is one of his strengths, for it means that he only turns to symbolism when it has a distinct role to play. His symbolism generally takes the form of allowing some object to stand for an abstraction or personal attribute. Five persons figure into this tale .....

.... class world. O’Connor described the old woman as she settled herself comfortably, removing her white cotton gloves and putting them up with her purse on the shelf in front of the back window. The children's mother still had on slacks and still had her head tied up in a green kerchief but the grandmother had on a navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collar and cuffs were white organdy trimmed with lace, and at her neckline she had pinned a purple spray of cloth violets cont .....