.... directly. The two main examples for this are the Monster’s as well as Frankenstein’s story, but the themes of seductive narration and promises can be found also elsewhere in the novel. The Monster’s desire is to be loved by someone. When he realises that not only the DeLaceys but every human being will reject him because of his uglyness, he tells Frankenstein his story in order to persuade him to create a female being of his kind for his companion. At the end of Chapter 8 of Volume II (page 97 of our edition) the monster says: "We may not part until you have promised to comply .....

.... author describes the physical and emotional changes in great detail. The story's title does not signify the theme however, the theme of the story is reiterated throughout the story. "She had no dresses, no jewels, nothing. And she loved nothing but that; she felt made for that. She would so have liked to please, to be envied, to be charming, to be sought after"(900). Mme. Loisel was envious of her friend and anyone else who had more than what she had. She felt that she deserved these things. The plot grows completely out of the personalities of the characters. .....

.... deluge them there.” This refers to the storm outside and their emotional state. They were feeling this need and desire for each other and it was beating down all the barriers they had set up within themselves to resist this temptation. Their feelings were so dangerously close to the surface that they could hardly hide them any longer. The storm was raging on and the drama of the lightning was very shocking to them. They could almost feel its electricity. “The playing of lightning was incessant. A bolt struck a tall chinaberry tree at the edge of the field. It filled all visi .....

.... a great spread of water, like white flames, swarmed into her.” (pg.145) There is also a sense that man is totally not important to the natural forces controlling his fate. “When it occurs to man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply that there are no bricks and no temples.” (pg156) The one character who perishes, the oiler, is of course a victim of determinism. Even as he was so close to land and no longer out in .....

.... to put an end to this creation. Victor finally met up with his monster in the mountains near a glacier. Here he listened to the monster's story. How he studied and grew to love this family living in a cottage. He wanted so immensely to be a part of their love and smiles. He learned their language and how to write (by listening to them teach an Arabian relative). After a very long time he walked into the cottage when only the blind old man was there and tried to befriend him. He was very persuasive until the children and the woman returned. The boy attacked the Monste .....

.... the "See More Glass" that we see through little Sybil’s eyes, and the Seymour Glass that we see through the eyes of the adult world. Even though these two characters are in theory the same man, they are slightly different in some ways. You could also say that they are the same character in different stages of development. Whatever the case may be, the "reasons" for the suicide shift slightly in emphasis as the character changes. "" attempts to symbolize that the bananas in See More Glass’s story represent all of the things which are taken in along the jour .....

.... .....

.... can I do? It is my vice. I know you are right, but I can't change my character. I just adore jewels.'"(8) We know that she gives in to her vice and has what can be inferred to be as an affair. She deceives her husband in order to satisfy her desires. The wife is also dynamic because she always gives in to her love of wealth; she never changes. The wife's death is implied to be caused by her desire to obtain wealth. "When she had been to the opera one evening in the winter, she returned home shivering with cold. The next day she began to cough. Eight .....