.... a phony). Holden is by far not all bad, inside he is moral and generous. There are very clear examples of these good qualities. He had some moral sense because when "bought" the prostitute Sunny for a throw he could not go threw with it, so he paid her anyway and sent her away from him. Holden was charitable when he gave a considerably large donation of twenty dollars to the two nuns. This action was nothing other than an act of pure kindness. Holden Caufield has a foil or an opposite in the story, The Catcher in the Rye. This person is his younger sister, Phoebe. She h .....

.... Parris, the Salem minister and Proctors immediate supervisor, which says “ there is either obedience or the church will burn like hell is burning.” “The church in theocratic Salem is identical with the state and the community and will surely crumble if unquestioning obedience falters in the least.” Proctor, on the other hand, “has come to regard his self as a king of fraud,” as long as he remains obedient to an authority which he cannot respect. In other words he believes that the cannot be his true self when he has to abide by lies and not by his morals. He thinks there .....

.... becomes jealous and begins to do things to try to get her attention. At a stop in the route, the passengers get off for a break and go to a local carnival where Roy and the big leaguer clash in a contest of talent, a David-and-Goliath-type confrontation (Solotaroff 9). Roy strikes out the batter with three blistering pitches, each of which make Harriet pay more and more attention to him. As they arrive in Chicago, Harriet stays at the hotel at which Roy has booked a room. She gives him a call and provocatively invites him to her room. Succumbing to her invitation, and ma .....

.... on the differences between the “proper” ways of nineteenth century society and the “improper” behavior that Huck is accustomed to dealing with. This insight that Twain gives to the reader is further expanded with the introduction of Huck’s Pap into the story. After leaving Huck for a little over a year, Pap comes back for Huck, figuring he may have something to gain. “That’s why I come. You git me that money tomorrow- I want it.” [29] are Pap’s words to Huck when they first reunite. Pap, the person most responsiable for Huck’s welfare, is the person who abuses Huck the most .....

.... another character is Iago’s usage of Roderigo to finance the enforcement of his plan and to do the “dirty work.” This is probably the most unscrupulous component of his plan. It produces sympathy for the other characters because they are oblivious to Iago’s actions and the part they play in the scheme of things. At the same time, it produces a feeling of repugnance toward Iago for his scheming and calculating ways. As we become more familiar with Iago’s character, his motives become more apparent. Once we learn of Cassio’s promotion, Iago .....

.... rest. This warm feeling faded when they reached the camp. Here life was boring for Henry. The only thing his company did was drill day in and day out. All of the experienced soldiers told war stories every night by the campfire. Henry could only listen because he was still 'wet behind the ears'. He felt left out and often sat alone wondering about battle. War was like an illusion to him. He couldn't imagine people slaughtering each other. "Aren't we too civilized to massacre ourselves?" he often wondered. After hearing the tales of battle, Henry began to be intimida .....

.... around family but may feel the need to appear superior around other people. This form of adjusting one's personality or mask to suit a situation in life, is also common among characters in novels, dramas, and other forms of literature. In certain characters it is evident in the novel The Stranger and the play A Doll's House . In some instances it is quite easy to notice but other times it may be difficult to identify the changes in character's masks as the changes slowly develop throughout the plot. A form of mask wearing was found at the beginning of the novel The Str .....

.... involve other parties; the murderer encounters the victim alone and has no accessories in the killing. Third, the serial killer’s victims are secondary victims. There is little or no prior contact between the perpetrator and the victim. It is noted, though, that primary victimization can begin the serial killing process. Lastly, the killer has no instrumental or expressive motive. He/she is not doing the killing for material (instrumental) gain or emotional (expressive) satisfaction. Rather, the serial killer’s motive is the pure pleasure it brings to him/her. Within th .....