.... son runs on, pretending not to see what is happening to his father. This spectacle causes Elie to think of what he would do if his father ever became as weak as the Rabbi. He decides that he would never leave his father, even if staying with him would be the cause of his death. The German forces are so adept at breaking the spirits of the Jews that we can see the effects throughout Elie's novel. Elie's faith in God, above all other things, is strong at the onset of the novel, but grows weaker as it goes on. We see this when Elie's father pol .....

.... heart is true for all men, -that is genius.” (Emerson 222), and not from believing what another man thinks. He felt that these men were geniuses in their own time, “the heights merit we ascribe to Moses, Plato, and Milton is that they set at naught books and traditions, and spoke not what men, but what they thought.” (Emerson 222), for looking to themselves for their own truth and happiness. We should have self-trust, that when we get an idea, we should listen to ourselves, yet we dismiss our thoughts to often, “ A man should learn to detect and watch that gleam of light .....

.... one play to another, King Lear’s flaw is that of arrogance while Macbeth’s it one of ambition. Some characters may be guilty of harboring many flaws, like Othello. Among Othello’s wrongs are gullibility and stupidity. In either case, the character never realizes ones flaws until act five, however, by that time it is too late (Desjardens). While the tragic flaw is the key element in a tragedy, the tragic hero’s social status is also of high importance. All tragic heroes are from a very noble class. Whether the heroes are Thanes or Generals in the army, l .....

.... irrelevant to them. Meanwhile, Hester and Dimmesdale have sex as part of a meaningful relationship, but are persecuted for it. These varying reactions are caused partially by the extreme contrast of environment between the two novels. Another factor is the different degrees of conscientiousness and its importance between the novels. Hester and Dimmesdale repent and seek forgiveness for their sins. They use their experience to make them better people, and by the end of the novel, both find themselves free of guilt. On the other hand, the characters in The Great Gatsby .....

.... affect her life and the rest of the play. First, she comes to the Friar looking for help. "I long to die, if what thou speak’st speak not of remedy" (Act 4, sc i, ll 66-67) is her attitude towards her situation. She then accepts the friar’s solution and decides to take the poison. "Give me, give me! Oh tell me not of fear" (Act 4, sc 1, ll 121) are her words spoken to the friar. Her actions here are to be brave and to rush into the plan. Her actions are more important than the friars in this scene because she has all the control. The friars actions are mostly .....

.... advantage of their employees. The workers at the plant had no benefits, worked long hours, and were paid poor wages. Jurgis decided to join a Union and took a stand on the issues with some other family members. For the first time in his life, he saw the corruption of a town and it’s employers. His solution to most problems, “I will work harder”, no longer sustained him. He had believed hard work could conquer all, but found that it could not beat the corruption that spread like a cancer in this town. Jurgis soon becomes injured at the plant and bed-ridden. .....

.... those that "have seen this one lighted room and traveled towards it. A summer night's inquiry." (9). In the Garden of the Blind, Patrick observes the blind woman's remaining eye "darting", "moving with delight", "and alighting", all easily visualized. Later in the story, Carvaggio watches a woman in the boathouse. "In this light, and with all the small panes of glass around here, she was inside a diamond, mothlike on the edge of burning kerosene, caught in the center of all the facets" (198). Moths are part of the insect imagery in the book. These insects formed part of Patrick .....

.... in mind than a mere outline of good and evil. His primary struggle in Young Goodman Brown seems to be less with faith vs. the faithless void than with the points in between these states. The story seems more about the journey through between two rigidly defined states than about good and evil. By describing good and evil through heavy-handed metaphors and symbols, such as his wife's name and the satanic communion he finds himself at in the forest, and then describing goodman Brown's inability to adapt his self-image to the hypocrisy he finds, Hawthorne comments on the .....