.... special thing in this town, where she said, "… [I] grew like a like a gourd and yelled bass like a gator," (Gale, 1). When Hurston was thirteen she was removed from school and sent to care for her brother's children. She became a member of a traveling theater at the age of sixteen, and then found herself working as a maid for a white woman. This woman saw a spark that was waiting for fuel, so she arranged for Hurston to attend high school in Baltimore. She also attended Morgan Academy, now called Morgan State University, from which she graduated in June of 1918. She then enrol .....

.... from their lives. The ability to create characters who play roles, he says, either to "maintain self-esteem" or to escape, is one Hemingway exploits extraordinarily well in A Farewell to Arms and therefore it "is his richest and most successful handling of human beings trying to come to terms with their vulnerability." As far as Stubbs is concerned, Hemingway is quite blatant in letting us know that role-playing is what is occurring. He tells that the role-playing begins during Henry and Catherine's third encounter, when Catherine directly .....

.... and more stable working hours than a lawyer would provide. Teaching would allow me to spend more time with my children, which is definitely a positive aspect to this job. Lawyers generally have a very unpredictable work schedule. They are often required to put in long hours of overtime on cases making it harder to raise a family. My mother wants me to be a lawyer. She wanted to be a lawyer, but her parents persuaded her to be a teacher. She has recently begun taking law classes and insists that “I would be a great lawyer and should pursue it”. My grandparents on the other han .....

.... dies. The death of Georgiana shows that knowledge is dangerous if used in the wrong way. The influence of the evolution of culture has caused men to educate themselves, and learn extensive amounts about science. However, some men like Aylmer take advantage of their intelligence and try to play the role of God. Aylmer allowed his mind to consume his heart, resulting in the senseless death of his beautiful wife. Culture teaches men that if they learn enough that they can manipulate nature; however, in the , Hawthorne shows that intelligence still can’t overcome nature and .....

.... nothing. The older waiter in the story recognizes the existence of nothing: “Some lived in it and never felt it but he knew it all was nada y pues nada y pues nada y pues nada” (202). As existentialists, men are forced to make all decisions in their lives for themselves, with nothing to believe in except for the positive result of their choices. Existentialists are plagued with dread over their potential confrontation with nothingness, an anxiety that comes with the impossibility of finding ultimate justification for the choices they must make. In contrast, men of religio .....

.... love."4 Antonio: "Fie, fie!"5 The mystery of Antonio's sadness remains, as he dismisses the prospect that his sadness is related to his ships or a lost love. Uninterested in the 'world' of suitors and marriage, Antonio is left without his lifelong companion, Bassanio after he travelled to Belmont to woo Portia. Early in the play another side of Antonio is revealed. Antonio is displayed as a hard cruel man, although a Christian, he displays hatred and contempt towards the Jewish race, usurers and especially towards Shylock. After kicking and spitting upon Shylock, Antonio shows .....

.... yet this did not dissuade his attraction to her, or his adulterous relationship with her later on. It is important to note that it is Vronsky’s frivolous nature that is responsible for his inability to fully love Anna with the passion that she so desperately needs from him. Vronsky initially believes that he loves Anna, but Tolstoy shows the reader that Vronsky’s love for her is not absolute. His love is not based upon firm emotional commitment, and it is easily questioned and redefined. Eventually, Anna’s love becomes burdensome to him because he remains steeped in the pur .....

.... especially, the audience familiarizes themselves with the representation of women by their own dialogues, and what other characters say about them. The dramatic techniques Shakespeare uses to construct his female characters are the setting, the character's dialogue, including asides, and what other people say about them, especially behind their backs. Lady Macbeth and Lady Macduff are two very different characters, and there is plenty of binary opposition between them. The weird sisters, on the other hand, are 'things to be afraid of'. These characters give the audience an .....