.... than her husband, but deeper, she wronged herself, and because of her times she wronged her god. Wronging deserves punishment. "Before the ugly edifice, and between it and the wheel-track of the street, was a grass plot, much overgrown with burdock, pigweed, apple peru, and such unsightly nail in the soil that had so early borne the black flower of civilized society, a prison." Almost parallel to Hester’s deserving of pain stands a prison. Born out of civilized society springs a prison, a home of villainy. A breading ground for the wrong. What building more dese .....

.... with the knowledge that they can overcome "To leave this Paradise, but shalt posses / A Paradise within thee, happier far" (Paradise Lost, 12.586-587). Similar to Milton, Pope tries to "vindicate the ways of God to man" (An Essay on Man, p. 2264.16), however he derives a different conclusion. Pope believes that "In pride, in reasoning pride, our error lies" (An Essay on Man, p. 2266.123). He sets out to demonstrate that no matter how imperfect and disturbingly evil the universe may appear; it is nonetheless a work of God and must be accepted "Then say not man's imperfect, Hea .....

.... the novel more suspenseful, but she also uses the elements of greed, deception, and insecurity to change from a Gothic Romance novel into a successful mystery. "The basic structure of is that of the modern Gothic Romance" (Masterplots 3). The characters and the setting are similar to other books of the time. The narrator who goes un-named, is the "typical heroine of a Gothic Romance" (Masterplots 3). Her character is not very developed but the reader is able to relate to and sympathize with her. also has the perfect setting for a Gothic Romance. Manderley is the is .....

.... system's architecture. Applications can't interfere with one another because they run in separate address spaces. Operating system code and data in the subsystems is protected from applications because subsystems, too, reside in their own address spaces. The Windows NT Executive shares address space with running processes, but it's protected by the wall between kernel mode and user mode. It's impossible for an application to corrupt code or data stored in the Windows NT Executive because the processor notifies the operating system of or prevents invalid memory accesses before .....

.... Tea Cake Woods, Janie’s third husband, was a younger man in his thirties. He was a free-spirited, nomadic person, who’s main source of income was derived from gambling. Tea Cake met his death when in a rabid rage, he was shot in self-defense by Janie. Janie’s first marriage came unexpectedly, she was sixteen years old and forced by her grandmother to “grow up”. She married Logan Killicks, a landowner who forced Janie into hard labor, something she not was accustomed to. This led to her abandoning the marriage and running off to .....

.... element that is implemented by the poet is the prominent use of alliterative contrast. For instance when Heorot is first attacked by Grendel, the poet describes a band of nobles “asleep after the feast” and feeling “no sorrow” (28). Another aspect of the author’s writing technique is the use of diction. Narrative irony can be seen in the swift narrative transition to sorrow after joy when the poet first introduces Grendel. The poet states that the “warriors lived in joy” and were “blessed” and then suddenly describes Grendel as a “grim spirit” (28). The author’s util .....

.... of school children. Because preschool children [under 6 years old] are less skilled and need more help in play, they are usually associated with adults who take care of them. Thereby older children who now play by themselves naturally encounter situations where people help small children. This is a great opportunity for older children to learn tenderness in human relationship because they learn by observing others’ behavior. According to Suzanne C Lennard and Henry L. Lennard, “children who have observed others take responsibility and care for each other, learn to exper .....

.... pathetic production they eventually put on is so bad it actually is lamentable. When Bottom says: "I'll speak in a monstrous little voice," (Iii 43) he surely does not mean a voice which is both monstrous and little, for something cannot be both monstrous and little. What Bottom is trying to say is that he will speak in a "very" little voice. Bottom does not realize what he has said and creates amusing confusion for the reader. One of Helena's oxymorons is in Act 3, scene 2, line 129: "oh devilish- holy fray!" Obviously something cannot be devilish and holy at the same time, .....