.... observations about them, and he sleeps. These actions are not commonplace at a vigil for ones mother. The next day is the funeral. The funeral is yet another formality. As Meursault is on the trip to the cemetery, he takes notice of his mother's dear friend, a friend he has never met. Meursault notices how this friend is constantly falling behind the hearse during the ride. Despite his observations, he does not do anything to help the man or solicit help from others. As for the funeral, he does not seem to feel anything regarding the loss of his mother. In fact, he does not she .....

.... the play, where Macbeth was killed by Macduff. Macbeth's ambition is extraordinary throughout the play in a way that Macbeth is very courageous throughout the battle that occurred. When Macbeth was given the title 'thane of cawdor' he felt that he had power over everything which made him more powerful, In act 1 scene 3 when Macbeth said to himself Glamis, and the 'thane of cawdor', the greatest is behind. He said this because he is now the king and by saying the greatest is behind, this meant something like he was going to rule the world. At the start of the play Duncan and M .....

.... thereby not allowing themselves to achieve their full potential. This inadequacy is stressed throughout Clay and A Little Cloud and is emphasized by Maria’s and Little Chandler’s very childlike appearances and mannerisms. Maria is described as a “very, very small person” (Clay, pg. 87) as Little Chandler “gave one the idea of being a little man.” (Cloud, pg. 60) Little Chandler’s “frame was fragile...his voice was quiet...his hands were white and small” (Cloud, pg. 60) and he had a row of “childish white teeth .....

.... off by the lack of understanding and compassion of an extraordinarily immoral and cruel man. Whatever Steinbeck’s intent for writing such a jarring ending, he leaves the reader with a powerful sense of the world’s immorality.   In this book there were several characters, but only a few had significant roles. I would have to say Lennie is the protagonist of the book even though George is an extremely critical character as well. Lennie Small is described as being a monstrous man with the mind of a child, a shapeless face, big pale eyes, slopi .....

.... the country on a rollercoaster ride of economic instability and shaky ground. These ideas remain constant and prevalant throughout the seven chapters. His views, though somewhat repetitive in the text, strike the reader with astonishment, especially when considering Phillips' Republican party affiliation. With his thesis in mind, Phillips discusses three major factors that escalate and at the same time submerge the state of the economy in America. These factors include: the sudden shift in tax rates, the diminishing "global wealth" of America, and the inability .....

.... and Emerson have similarities. At a first glance the works Frost and Emerson seem to have numerous similarities. In Alvan S. Ryan's essay "Frost and Emerson: Voice and Vision" he states that Frost and Emerson "agree on the central importance of symbol and metaphor. They have a common preoccupation with rural subjects. They share basic sense of 'correspondence'. . . ."(Ryan125)Also, these two writers are similar in that they both tend to write about the same subject matter. Many of the titles of Frost's poems: "Mending Wall," "Storm-Fear," "The White- T .....

.... noble qualities. Of course, Creon begins as a powerful king, but his development through the plot forces him to become nothing more than a fool. I believe that Creon’s noble quality is linked to his role in Oedipus the King. Oedipus, after blinding himself, asks Creon to take care of his children. He, of course, agrees to. This is, without a doubt, a noble quality. Creon’s involvement in the plot of Antigone clearly shows that he is the center of the tragedy. The definition of a tragedy also supports my beliefs. This is why Creon is the tragic hero. Second, Creon’s f .....

.... England, Frost wrote poems whose philosophical dimensions transcend any region. Although his verse forms are traditional--he often said, in a dig at archival Carl Sandburg, that he would as soon play tennis without a net as write free verse--he was a pioneer in the interplay of rhythm and meter and in the poetic use of the vocabulary and inflections of everyday speech. His poetry is thus both traditional and experimental, regional and universal. After his father's death in 1885, when young Frost was 11, the family left California and settled in Massachusetts. Frost attende .....