.... of the immediate surrounding can the viewers relate the narrator's identity to. The viewers see only the part of the narrator that is apparently connected to the viewer's own world. The part obscured is unknown and therefore insignificant. Lucius Brockway, an old operator of the paint factory, saw the narrator only as an existence threatening his job, despite that the narrator is sent there to merely assist him. Brockway repeatedly question the narrator of his purpose there and his mechanical credentials but never even bother to inquire his name. Because to the old fell .....

.... vivid abhorrence towards black slaves. Every single line talks about how white people despise and refuse to accept the black race. Answering Aunt Sally's question about whether or not anyone is hurt Huck answers, "no mum, just killed a nigger."(Twain 213) This is the one and only acceptable way to talk about black people in the "white" society. In addition to this, not only is the black people treated differently from the white, they are also considered to be one's property. "He is the only property I have," (Twain 122) Huck is perforced to say in order to save Jim. This is th .....

.... it right". Each part of Hamlet is trying to find a different truth but in the end we find that he can only be true to himself The soliloquy that displays Hamlet's confusion is "O, what a rogue and peasant slave am I!" in act two scene two. This soliloquy takes place immediately after the first discussion between Hamlet and the travelling players. Here Hamlet is enraged, furious and rude. In this soliloquy Hamlet devises a plan which will lead the king to betray himself. His plan is for the players to put on "The Murder of Gonzago" for the court, which is similar to the mu .....

.... forty-one chapters to be found in five books. Here is what we have discovered: if you multiply 41 by 5 you get 205. And now if you take the number of letters in Frederic's name (8) and add that to the number of letters in Catherine's name (9) you get 17. 205 + 17 = 222. And if you grant that the time of the events in the novel, counted properly, is three years, then the pattern we have discovered starts to emerge as figure on ground or as lemon juice ink on a secret message when held over a candle. For what is the product of 222 and 3 but the infamous 666 of Revelations 13:18 .....

.... boy, and people in the town had thought highly of him. This is evident from his relationship with adults like the widow and the judge. Jim even tells him ÒIÕuz powerful sorry youÕs killed, Huck, but I ainÕt no mo, nowÓ. (1292) Based on HuckÕs consistent concern for others, it is likely that he would have written home to inform them that he was still alive if it had not been for his situation with Jim. However, he does not want to risk doing anything that might get Jim captured, so he writes no letter. Huck finds himself working against .....

.... some happenstance, where she can break through her reserve and coyness to express her feelings. Mr. Rochester brings to Thornfield a party of guests; all elegantly appareled and socially sophisticated. Hesitantly, Jane reaches the drawing room where she and Adele wait for the party to enter. The ladies all come in first, gathered together and chatting when they notice Adele and Jane. The ladies swoon over Adele while Jane sits on the side inspecting and criticizing each lady as she passes by. No one is unpleasant to her and no one seems to grab Mr. Rochester’s attent .....

.... will fall on the first as it tries to stand. This metaphor also excellently exemplifies the catastrophe that occurs in Macbeth as both Lady Macbeth and Macbeth try to separate. Macbeth is a eighteenth century play written by William Shakespeare. Using these two metaphors, the breakdown in the relationship between Lady Macbeth and Macbeth and between the king and the thanes and how they perfectly parallel each other because each is caused by Macbeth's will to be independent. According to Webster's dictionary, the archaic definition of independence is "competence" (1148) .....

.... place'. The play is, in fact, a comedy about an assertive woman coping with how she is expected to act in the society of the late sixteenth century and of how one must obey the unwritten rules of a society to be accepted in it. Although the play ends with her outwardly conforming to the norms of society, this is in action only, not in mind. Although she assumes the role of the obedient wife, inwardly she still retains her assertiveness. Most of the play's humour comes from the way in which characters create false realities by disguising themselves as other people, a devi .....