.... and actions are crucial to the story and are described in great detail. He is dynamic because he changes from a relatively carefree, self-assured man into an impetuous man who feels old and becomes consumed with guilt. After witnessing the rape: “He did not know what it was like to be very old … but he assumed it was like this: fatigue beyond relieving by rest, by sleep.” Dubus uses all three methods of indirect characterization in describing Mitchell; he uses words, actions, and thoughts. An example of his words is “I should have stopped it. I thin .....

.... a world which appears completely immoral and unscrupulous. In those three days the novel places a distressed Holden in the vicinity of Manhattan. The city is decked with decorations and holiday splendor, yet, much to Holden's despair seldom yields any occasions of peace, charity or even genuine merriment. Holden is surrounded by what he views as drunks, perverts, morons and screwballs. These convictions which Holden holds waver very momentarily during only one particular scene in the book. The scene is that with Mr. Antolini. After Mr. Antolini patted Holden on the head while .....

.... millions of children is not an easy one. It requires many trusted helpers. These helpers include parents, grandparents, brothers, sisters, and of course elves and reindeer. Reindeer play an important role in the scheme of things. Without the famous Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner, Blitzen or Rudolph, Santa would not have any transportation. They fly faster than a speeding bullet, yet never seem to miss a single home. Together, Santa, the elves, and the reindeer work to make the Miracles of Christmas happen. St. Nick not only showers children with gifts, he .....

.... of the people he names are dead. That’s why he is so lonely all the time. Holden finds things in common with Allie and James Castle and since they’re both dead he feels, in the back of his mind, that he should also be dead which makes him depressed. Another example of a fall for Holden is when he realizes he can’t erase even half the "fuck you’s" in the world. This doesn’t sound very important, but it is symbolic because he realizes that he can not be the . His dream of shielding all the innocent children from society’s harsh elements h .....

.... in the critical analysis of a poem the reader might look for the connections between words, stanzas, structure and ideas. The four basic approaches to literary criticism are: 1) the mimetic 2) the pragmatic 3) the expressive 4) the objective Mimetic approach- describes the relationship of the literary work to the world or the universe in which the work was conceived or being read. Pragmatic approach- describes the effects of the work on its audience. Expressive approach- proposes the study of the relationship of the work to the writer: biographical, psychologic .....

.... Other words like writhing and froth-corrupted say precisely how the man is being tormented. Moreover, the phrase "blood shod" shows how the troops have been on their feet for days, never resting. Also, the fact that the gassed man was "flung" into the wagon reveals the urgency and occupation with fighting. The only thing they can do is toss him into a wagon. The fact one word can add to the meaning so much shows how the diction of this poem adds greatly to its effectiveness. Likewise, the use of figurative language in this poem also helps to .....

.... more viable and less brave with each passing day as our values become more materialistic and as our faith in God dwindles slowly to be replaced by technology. Aldous Huxley wrote Brave New World to increase our awareness of this frightening future we seem to be progressing towards so we can prevent it from happening. In the futuristic society of the novel, God has been replaced by science and technology as a source substance and meaning in life. As a consequence the words “Christ” and “God” are replaced with “Ford.” This is done because Huxle .....

.... says: "Quite apart from experience, one can say a priori that very few tramps are dangerous, because if they were dangerous they would be treated accordingly. A casual ward will often admit a hundred tramps in one night, and these are handled by a staff of at most three porters. A hundred ruffians could not be controlled by three unarmed men. Indeed, when one sees how ramps let themselves be bullied by the work house officials, it is obvious that they are the most docile, broken-spirited creatures imaginable. "(p. 204) About the term "drunkard" Orwell disagrees also .....