.... uses the words clanging, clashing, and roaring to give a sense of alarm. He describes how the bells clamor and clangor out of tune in order to send the message of alarm to those around it. In the forth stanza there are bells that are rung for the diseased. He says that the noises they make are mainly moans, and groans, from their rusty iron throats. This gives the feeling of sadness and sorrow. He also makes it seem like the bells are alive, and they want to be rung making more people dead. Which means that they are glad when death comes around. I think that Poe repeated e .....

.... an important part of Polynesian mythology; Maui is a demigod who is used to tell of many stories. There are also reflections of Polynesian cultural inheritances in Hone Tuwhare’s use of mythology in his poetry. Tuwhare was born in Kaikohe, and belongs to the Ngapuhi hapus Ngati Korokoro, Ngati Tautahi, Te Popoto, and Uri-O-Hau. In his poem ‘Papa-tu-a-nuku’, he uses Maori mythology. The title, ‘Papa-tu-a-nuku’, means ‘Earth Mother’, which is part of a number of nature’s elements that are personified in Maori mythology. Hense, the earth being personified as a mother, and the cont .....

.... kill the monster Grendel, who has been terrorizing the Danes for twelve years, with his bare hands by ripping off his arm. When Beowulf is fighting Grendel's mother, who is seeking revenge on her son's death, he is able to slay her by slashing the monster's neck with a Giant's sword that can only be lifted by a person as strong as Beowulf. When he chops off her head, he carries it from the ocean with ease, but it takes four men to lift and carry it back to Herot mead-hall. This strength is a key trait of Beowulf's heroism. Another heroic trait of Beowulf is his ability to .....

.... is death to hide" is an allusion to the biblical context of the bible. Line three refers to the story of Matthew XXV, 14-30 where a servant of the lord buried his single talent instead of investing it. At the lord's return, he cast the servant into the "outer darkness" and deprived all he had. Hence, Milton devoted his life in writing; however, his blindness raped his God's gift away. A tremendous cloud casted over him and darkened his reality of life and the world. Like the servant, Milton was flung into the darkness. Line seven, "Doth God exact day-labor, light denied?" .....

.... seems to not be phased by the great loss that they have endured. Later on in the poem the husband begins to talk again, stating: “We could have some arrangement, By which I’d bind myself to keep hands off, Anything special you’re a-mind to name. Though I don’t like such things ‘’twixt those that love. Two that don’t love can’t live together without them. But two can not live together with them.” Right here he is saying that he should have just stopped having children with her. That people can not live with nor without sex. He’s eluding to the fact that in order for the .....

.... oil sound around the passage. An interesting seepage can also be clearly seen when looking specifically at the words "oil-soaked", "oil-permeated" and "grease-impregnated". These words connect the [oi] in oily with the word following it and heighten the spreading of the sound. Moreover, when studying the [oi] atmosphere throughout the poem the [oi] in doily and embroidered seems to particularly stand out. The oozing of the grease in the filling station moves to each new stanza with the mention of these words: In the fourth stanza, "big dim doily", to the second last stan .....

.... lifetime, it is impossible to travel down every path. In an attempt to make a decision, the traveler "looks down one as far as I could". The road that will be chosen leads to the unknown, as does any choice in life. As much he may strain his eyes to see as far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the way that he chooses here that sets him off on his journey and decides where he is going. "Then took the other, just as fair, and having perhaps the better claim." What made it have the better claim i .....

.... on the pedestal "Look on my works. . . and despair!" reflect the evidence of the next line, "Nothing beside remains," that is, there is nothing left of the reign of the greatest king on earth.One immediate image is found in the second line, "trunkless legs.". One good comparison may be when the author equates the passions of the statue's frown, sneer, and wrinkled lip to the "lifeless things" remaining in the "desart." Another is when Shelley compares the "Works" of with "Nothing beside remains." shows the reader that two things will mark the earth forever. First: the awesom .....