.... of the story, "fixes the sensation of a train ride through a kinesthetic detail, and that detail also supplies a theme that the rest of the story will develop" (Bergon 95). The Pullman train is carrying Marshal Jack Potter and his Eastern bride back to Yellow Sky. The Marshall's role in the affairs of his town has been affected and changed by his literal marriage to the East. The Marshall is only beginning to realize the effect his arrival on the town will have. The train car is the perfect symbol of the East moving toward and imposing itself on the west. The second setting .....

.... by telling her of his long-term commitment for her in the short-term. This flood also symbolizes life in the fresh start of the new covenant. Because time keeps going, with or without them, they must be active participants and not just the static spectator. Otherwise, the fate Marvell relates would become their reality. Marvell's vegetable love is rather oxymoronic. Love is not normally like the uncaring, thoughtless, and noncommunicating plant. And yet his love is vegetable in that it is not adaptable. She is the water, food, and light for his love; and as long as she .....

.... with a crime against his family to avenge.” Seneca was among the greatest authors of classical tragedies and there was not one educated Elizabethan who was unaware of him or his plays. There were certain stylistic and different strategically thought out devices that Elizabethan playwrights including Shakespeare learned and used from Seneca’s great tragedies. The five act structure, the appearance of some kind of ghost, the one line exchanges known as stichomythia, and Seneca’s use of long rhetorical speeches were all later used in tragedies by Elizabethan playwrights. .....

.... the ghost was a good spirit or evil one. Hamlet debates within himself whether or not to kill Claudius and seek revenge. Because of his uncertainty Hamlet had the players put on a play to catch Claudius’ reaction. Example of this is when Hamlet says Hamlet: The play’s the thing/Wherein I’ll catch the conscience of the King”. [Act II, Scene ii, line 616-617] Hamlet saw a good opportunity to run Claudius through when he was confessing his sins. Hamlet decides not to because Claudius was repenting. If he killed him Hamlet would send him to heaven and .....

.... life. The second waiter introduced is a middle-aged man. He does not say much, but it seems as though that this is because he does not want to get in a fight with the younger waiter. All he does is ask the young waiter questions, as if the middle-aged waiter was sort of stuck in a catch twenty-two. The middle aged man felt for the old man but could not express his feelings to the younger waiter. Lastly, there is the old waiter. He is some where around the age of the old man that sat at the table. He definitely feels for the man at the table because he knows what it is li .....

.... common representation of sin and evil came from the lead character in the battle against God, Satan. His name means "enemy of God." He was a former high angel from Heaven named Lucifer, meaning, "light bearer" (John). Satan became jealous in Heaven of God's son and formed an allegiance of angels to battle against God, only for God to cast them out of Heaven into Hell (Milton 35). This did not bother Satan at first since he became the leader in Hell rather than a servant in Heaven. Satan believed that it was, "Better to reign in Hell than serve in Heaven" ( I-l. 263). .....

.... their cars. They are in a hurry because they are trying to see as many parks as possible in their short vacation time. They have to deal with things such as: car troubles, traffic, hotel rooms, other visitors pushing them onward, their bored children, and the long trip home in a flood of cars. Many of them take tons of pictures, possibly so that they can actually enjoy the park without all of the hassles (Abbey 58). Without leaving their cars they will never actually experience the beauty and wonderment of the parks. They will only find the stress and chaos that they s .....

.... Faith, as the wife was aptly named," (211). Jackson uses the name Mr. Graves throughout her story, he is the coordinator of the lottery. She needs not give any explanation to the name, as it speaks for itself (a symbol of death). Various other names are used as symbols within each story, however, these mentioned are the most significant names to the theme. The stories each contain names, objects, and acts as important symbols. Hawthorne uses the names to stress good people, but relies heavily on objects to portray Satanism. The object of obvious Satanism is the s .....