.... day Claudio does exactly as he had said, degrading Hero in front of all her family and friends. Because she did not cheat on him, she did not expect that kind of reaction. She is so dejected that she faints, and everyone assumes she is dead. Eventually Borrachio is overheard talking about Don John’s plan, and Don John is arrested. Later Claudio learns that Hero is not actually dead, and they are finally married. "Othello"’s Iago is very much similar to Don John. He wants to get revenge on Othello for not being chosen as lieutenant and also suspects that Othello has slept with E .....

.... their love in a mature and tender way. They will do anything to be with one another, for their love surpasses any emotion for their familial or community ties. They are willing to make any sacrifice in order to have their desire for one another fulfilled. Both Romeo and Juliet enjoy each other's company on their first morning together following their marriage and they do not want to part. Juliet's first visible transformation to adulthood is revealed here. In Romeo's desire to be with Juliet, he is willing to risk capture, and most probably death, in being found within t .....

.... which cries ‘Thus thou must do,’ if thou have/it,”(I.v.25-26). Lady Macbeth urged on Macbeth, making the witches’ prophecy become true. Lady Macbeth mutters about Duncan’s murder while sleepwalking. This confession could lead to her and Macbeth’s death. Unknowingly Lady Macbeth mumbles “Here’s the smell of the blood still.All/the perfumes of Arabia will not sweeten this little/hand. O, O, O!”(V.i.53-55). Lady Macbeth is unknowingly confessing to her gentlewoman and the doctor about the murder of Duncan. The doctor realizes Lady Macbeth has performed a terrible deed and .....

.... as an agent of disorder, "untitled tyrant bloody-sceptered". The language in Act 1 that described Macbeth has changed from "noble" and "kind" to the diction of Act 4 witch describes Macbeth as "black Macbeth" and a "tyrant". The Castle that Macbeth lives in, Dunsanine is also indicative of darkness. Dunsanine is similar to the word dungeon a dark and dirty place. In Act 4 Macbeth is an agent of disorder, he murders and he consults witches, because of this he is described using dark imagery. Scotland under the rule of Macbeth is described as, "shrouded in darkness", .....

.... to Cassius. Brutus loves Caesar, but would not allow him to "climber-upward...He then unto the ladder turns his back..."(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar's death. "Our hearts you see not; they are pitiful; and pity to the general wrong of Rome..."(act 3, scene 1, ll.185-186). Brutus says that Antony cannot see their(members of the conspiracy) hearts, which are full of pity. Again, this shows .....

.... Family bonds and loyalty are the crucial issues instead. The central question of this play is a political one. What should have more power within a society, the divine laws of the gods or the laws of the land and the mortal rulers? Antigone is a representation of the divine laws of the gods, and she remains steadfast to her beliefs that the wishes of the gods should overpower the wishes of the king. Creon, on the other hand, is the representation of the laws of the land and the mortal ruler of society. He, too, remains steadfast (until the end of the play when he realiz .....

.... a manicure. Then Jessie asks: JESSIE: Where's Daddy's gun? Life for Jessie and Mama is such a dull routine, Mama doesn't even pause to consider the request odd. She evens helps Jessie figure out where the gun is kept. It's not until half a column later that Mama asks: MAMA: What do you want the gun for, Jess? JESSIE: Protection. Mama at first considers that she and Jessie have nothing to steal, and what was valuable was stolen by Jessie's son, Ricky. MAMA: I mean, I don't even want what we got, Jessie. Jessie begins cleaning the gun, and soon the stage directions .....

.... madness is never assumed except in the presence of the king or those whom he considers the king’s agents (Hankins 127). The train of events from the death of his father to the revelation of the ghost has profoundly disturbed Hamlet. He realizes it himself and fears that the excitement within him may betray his secret. He knows well that it is beyond his power to suppress it altogether, and so he pretends to be mad. Any slip of the tongue about his secrets will seem like the uttering of a mad man, and his real thoughts will be unknown to those around him. Hamlet must .....